Pieces of a Woman
You’re here wondering if you should sit down to watch this film. In most cases I’d yes. But if you’re expecting a child or dealing with the loss of a loved one. I would advise you to give it some time before diving into this world. Pieces of a Woman is a film that explores the grief that overtakes parents after the loss of a child. The film delivers a very authentic portrayal of grief and with that authenticity comes a wave of unbound emotions for the viewer. Vanessa Kirby and Shia LaBeouf take you on an emotional rollercoaster as their lives together and singularly fall apart before your very eyes. The performances are absolutely amazing in all stages of the film. Unfortunately due to LaBeouf’s recent transgression off set this film wont receive the acclaim and praise it deserves. Which is very much a travesty as Vanessa Kirby, Ellen Burstyn, and the rest of cast deliver outstanding performances.
The writer Kata Wéber and partner/ film’s director Kornél Mundruczó based this film on their own experience with losing a child in an unsuccessful pregnancy. The love and dedication very much shined through. Again this is a film to watch but also one that will also make your heart… but sometimes the hurt is good.
Large
- Justin Brown
The Nest
This tale of a family uprooting their lives to move to the countryside in London for their egotistical delusional patriarch has the slow burn of a really intense, harrowing suspense film disguised as a family drama. None of the characters are particularly likeable but that's not the point. This film examines broken promises, spirits and more importantly finances.
Rory is one of the most selfish, manipulative characters since Adam Sandler's Howard Ratner blessed our screens in "Uncut Gems". While Sandler played his character as a blowhard, Rory tries to smooth talk his way through every conversation and negotiation but unlike in "Uncut Gems", he doesn't win in the end. Jude Law gives the best performance of his career as a white collar con artist who keeps looking for the next big thing at the detriment of his family, specifically his wife Allison.
Having been the submissive and unconfident partner throughout their relationship, Allison begins to retake control of her life after realizing that Rory refuses to accept reality. Allison slowly begins to understand how much Rory is trying to fake being high class, which leaves her disturbed by the alternative reality that he seems to be living in. The house Rory rents out for a year in the countryside is so big that they can't even afford to furnish it. Does this stop Rory from pretending to pursue ANOTHER property in London? Of course not. Played with deep hurt and resentment by Carrie Coon, Allison and Rory's relationship comes to a head in the third act which allows for both actors to showcase their skills. In a different awards season, both would be frontrunners in the Best Actor and Actress races.
Director Sean Durkin, whose last film was the Elisabeth Olsen cult thriller "Martha Marcy May Marlene", creates a mood that becomes more claustrophobic as you see the consequences of bad decisions and manipulation. What could have been a pretty formulaic family drama actually plans out closer to a domestic horror film than anything, which I think makes this more than worth a watch!
Large
- Brandon Collins
The Way Back Review
Ben Affleck’s career that like anything has had its ebbs and flows. However it's very rare to see Affleck so vulnerable and effective in his acting as he displays throughout the 108 minutes of "The Way Back". This film directed by Gavin O'Connor (Warrior) follows Jack Cunningham (Affleck) who is a struggling alcoholic who has yet to come to terms with some past trauma and dealing with familial strains with his sister and estranged wife played by the beautiful Janina Gavankar (True Blood).
While initially expecting "The Way Back" to be another white savior film with a white man saving a group of mostly brown young boys playing a sport in a failing school, this ended up being a very raw character study that allows Affleck to showcase more of the anger he displayed in "Gone Girl" while reminding you that he's been in the game a LONG time and still has something to prove.
With a solid supporting cast, this film never feels formulaic or phoned in. Specific highlights include comedian Al Madrigal who plays assistant coach Dan struggling to hold Jack accountable with his drinking but afraid of ruining the winning streak that has positively impacted the team and Brandon Wilson who plays star player Brandon who struggles with school/basketball/life balance. However that doesn't mean that everything is clear...there's a random character named Doc played by the great Glynn Turman who repeatedly helps a hammered Jack get home from the bar he goes to every day after working construction who doesn’t really add any additional context or story. Additionally, the fall out in the third act feels rushed instead of following the slow burn pace of the rest of the film and while it honestly handles Jack's downfall, it leaves some of the other characters behind and leaves the audience wanting a bit more closure.
Despite some of these issues, Affleck soars in his performance in this film which is currently available on HBO Max. Will he get any awards love over the next few months? Doubt it because the competition is so fierce but nonetheless this performance is a great reminder that Affleck is an incredible talent behind and in front of the camera. His performance elevates what was expected to be a generic sports redemption story.
Rating: Large
Brandon Collins